Poppy explores a quiet distance, observing a figure from the sidelines as they shift under unseen pressures. Suspended between memory and uncertainty, the work holds both the child that was and the person becoming.

Documented street style photography with Sabrine Salmi as she gets going to see FKA Twigs Eusexua 2025. 

52024, Fifty Thousand Years into the Future, 

What will humans look like 50,000 years from now?

My project delves into how technology influences anatomical changes, revealing its impact on our physicality and behaviours. Reflecting on personal experiences, I notice a previously vibrant spiritual presence now seemingly distant in the digital era.

As I speculate about the future, I observe the evolution of the human form. Subjects confined by screens suggest a symbiotic relationship with devices, highlighting the profound impact of habit on our collective evolution.

This follows the subject, the “other” travelling through an unfamiliar terrain and slowly assimilating into its new environment, gradually becoming more vulnerable as they change. This reflects the strong feeling of coming from different cultures outside from the western world - and the journey you go through as you change, whether if that’s done subconsciously, or intentionally, you lose yourself as you merge into your environment. Fitting in. I took this project as an opportunity for me to tackle my own identity and to start this new journey of being fully enriched and emmerised into my own culture. This led me to draw significant inspiration from moroccan tribal (Amazigh) garments, specifically the haÏk. And to reflect on experience and events where muslims have felt alienated.

“Love machine: When robot HMND Alpha met model Angelina Kendall. This Cover explores our ever-evolving relationship with tech.”